#Cabin fever 2016 soundtrack tv#

The Theatre produces up to 16 plays and nearly 500 performances each season, ranging from the best current work and re-invigorated classic plays to new plays by contemporary writers. The Alley is committed to developing and producing theatre that is as diverse as the Houston community. Kata is an Associate Professor at University of Southern California, School of Dramatic Arts.Īlley Theatre, one of America’s leading nonprofit theatres, is a nationally recognized performing arts company led by Artistic Director Rob Melrose and Managing Director Dean R. Kata has been the recipient of Michael Merrit, Drama Desk, Obie, and Jeff Awards and has been nominated for Ovation, San Francisco Critics Circle, Elliot Norton, TBA, and Barrymore Awards. Regional: Alley Theatre, American Players Theatre, Berkeley Rep, Central City Opera, Dallas Theater Center, Denver Theatre for the Performing Arts, Ford’s Theatre, Geffen Playhouse, Goodman, Hartford Stage, Huntington Theatre, La Jolla Playhouse, Long Wharf, Mark Taper Forum, Nashville Opera, Old Globe, Portland Center Stage, Steppenwolf, Williamstown, and Yale Rep. Off-Broadway: Office Hour (Public) Man from Nebraska (Second Stage) The Great Leap, Through a Glass Darkly, The Intelligent Design of Jenny Chow (Atlantic) Until the Flood (Rattlestick). Takeshi Kata ( Set Designer) has designed over 200 theatrical productions including plays, musicals, opera, and dance. He is a recipient of the Obie Award for Direction. His opera credits include the world premieres of Osvaldo Golijov’s and David Henry Hwang’s Ainadamar (co-production with Tanglewood Music Center, Lincoln Center for the Performing Arts, and Los Angeles Philharmonic) and Rob Zuidam’s Rage D’Amors (Tanglewood). Regionally, he directed for the Humana Festival, Goodman Theatre, Kennedy Center, American Conservatory Theater, Berkeley Rep, Hartford Stage, La Jolla Playhouse, South Coast Repertory, Huntington Theatre, Oregon Shakespeare Festival, Seattle Rep, Woolly Mammoth, Long Wharf, Alley Theatre, Denver Theatre Center, Portland Center Stage, Round House Theatre, Center Theatre Group, Singapore Repertory Theatre, amongst others. Ĭhay Yew ( Director)’s New York credits include the Public Theater, Playwrights Horizon, New York Theatre Workshop, Signature Theatre, New York City Center's Encores!, Playwrights Realm, Audible Theater, Rattlestick, Ensemble Studio Theatre, National Asian American Theatre, and Ma-Yi. She is currently developing pilots for Netflix and Apple.

#Cabin fever 2016 soundtrack tv#

TV credits: Pachinko (Apple), Soundtrack (Netflix), Interior Chinatown (Hulu), Billions (Showtime), The Sterling Affairs (FX). Current commissions include Arena Stage/Second Stage, Geffen Playhouse, South Coast Repertory. She’s a Residency 5 playwright at Signature Theatre, New Dramatists member, Ma-Yi Writers Lab member, and Playwrights Realm alumni playwright. Honors include the Doris Duke Artists Award, Whiting Award, Steinberg/ATCA Award, American Academy of Arts and Letters Literature Award, Horton Foote Prize, Kesselring Prize, Primus Prize, a Hodder Fellowship at Princeton, and the #1 and #2 plays on the 2017 Kilroys List.

Her play The Great Leap has been produced at the Denver Center, Steppenwolf, Seattle Repertory, Atlantic Theater, Guthrie Theater, American Conservatory Theater, Arts Club, InterAct Theatre, Portland Center Stage, and Asolo Rep. Lauren Yee ( Playwright) Cambodian Rock Band premiered at South Coast Repertory, subsequent productions at Oregon Shakespeare Festival, La Jolla Playhouse, City Theatre, Merrimack Rep, Signature Theatre, Victory Gardens, and Jungle Theater/Theater Mu.